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Jumat, 26 Maret 2010

Free Ebook , by Deanna Raybourn

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Product details

File Size: 1912 KB

Print Length: 313 pages

Publisher: Berkley (January 16, 2018)

Publication Date: January 16, 2018

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B071RJPG32

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#15,886 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

Veronica Speedwell is back with Revelstoke Templeton-Vane in 1888 London to investigate the disappearance and presumed death of John de Morgan, Stoker’s former friend. Years earlier, de Morgan ran away with Stoker’s wife and left him for dead in the Amazon. A member of Sir Leicester Tiverton’s Egyptian expedition, de Morgan is suspected of looting a crown from the dig and escaping back to England with his wife. However, when she wakes up the next morning, there is no sign of her husband or the crown, and the room he was staying in has been remodeled as if he never arrived in England. As Stoker appears to be the only enemy of de Morgan, Veronica and Stoker must investigate to clear his name from being dragged through the press, and possibly arrested for murder. To do so, they must get close to the members of the Tiverton expedition, which is said to be under a mummy’s curse, and Stoker’s former wife, Carolyn de Morgan, who is pregnant with de Morgan’s child.A Treacherous Curse is the third and latest book in Deanna Raybourn’s Veronica Speedwell series. Veronica, an independent woman, who is the illegitimate daughter of the Prince of Wales, is a natural historian and lepidopterist. She and Revelstoke Templeton-Vane, another natural historian, work for Lord Rosemorran, cataloging his eclectic collection for the purpose of opening a museum on the grounds of the Rosemorran estate, Belvedere.Although this is set in Victorian times and is for the most part historically accurate, Veronica is not a typical Victorian woman. She is very brazen and forward and does not disguise the fact that she has had many lovers, although none on English soil. There is nothing demure about Veronica as she matter-of-factly and scientifically goes on her way, making for some very humorous moments. In addition to being friends, there is an unresolved sexual tension that runs between Veronica and Stoker.I have read both of the previous books in the series, and I enjoy the humor. The mystery is well-plotted, and all the clues are there. The book is an easy and fun read and not to be taken too seriously. The opening sentence gives a hint of the humor to come.”I assure you, I am perfectly capable of identifying a phallus when I see one,” Stoker informed me, clipping the words sharply. “And that is no such thing.”I look forward to reading more of this delightful series.

4.5Veronica Speedwell and her stalwart companion Stoker find themselves drawn into the disappearance of a man associated with a cursed Egyptian excavation. Before he disappeared, however, he made off with a priceless artifact. This is not the first mysterious happening on the excavation but it is one that directly effects Stoker as the missing man is his former expedition partner whom after leaving Stoker for dead married Stoker's now ex-wife. If news of Stoker's past association, and bad blood, with the missing man gets out, he could be labeled as a suspect. Since there's nothing Veronica won't do to protect Stoker, they jump into the investigation with gusto.When I first started this book I couldn't help but feel a ping of the great Ameila Peabody series with Veronica's no-nonsense attitude and the whole Egypt thing of course. And then there's Stoker so like Emerson....I immediately got a smile on my face and was ready for our duo to embark on a voyage to Egypt. However, that is not exactly how things transpire, because of course Veronica will be her own person, as it were, and we wouldn't want her any other way.In A Perilous Undertaking, readers were given a little insight into Stoker's past and background. I was really excited as events unfolded while reading A Treacherous Curse that we retain a lot of that focus on Stoker's past, here especially regarding his previous marriage. There's a lot of emotional struggle for Stoker in this one seeing as how his past is pretty much unavoidably thrown in his face. It's a good thing Veronica was there to knock some sense into him. And I must say I loved how downright fierce Veronica becomes in defense of her friend (from himself as well as those who would cast shade upon him), it's truly a wonder to behold.The friendship (and dare I say blossoming romance) between Veronica and Stoker is further explored much to my delight. I think that Deanna Raybourn has now written my all-time favorite slow burn romance. You can clearly see that both Veronica and Stoker care for one another beyond a simple friendship or work-colleague relationship, but it's the fact that their friendship has been built up so well that makes anything that comes after between them seem like the cherry on top of the cake. There are some truly lovely and poignant moments between Veronica and Stoker in this installment, many that I highlighted or re-read just because they were such sweet and beautiful moments. It's not all just sweetness, however, as they both show they can push each other's buttons, but what better way to illustrate how well two people know each other than by showcasing all the ways, good and bad, in which they use this knowledge.As a consequence of the strengthening of the bonds between Stoker and Veronica, I almost think that the mystery plot suffered. I didn't get caught up in it as much as I did the previous books. And I felt like, at the end when all was revealed, I wasn't particularly surprised. Honestly, though, I was ok with all of this because I felt like it was more about moving Veronica and Stoker forward, and what better way to do that than incorporate it with solving a mystery along the way?This series is one that I continually look forward to, and with so much said throughout the story, there's still things left unsaid. I cannot wait for Veronica and Stoker's next adventure. If you haven't picked up this series yet, I highly recommend that you do, and definitely start from the beginning. The character developments over the course of these three books so far is not one to be missed.

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Kamis, 25 Maret 2010

Ebook Download GURPS Martial Arts (GURPS: Generic Universal Role Playing System)

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GURPS Martial Arts (GURPS: Generic Universal Role Playing System)

GURPS Martial Arts present rules for over 50 different armed and unarmed fighting arts, including the historical and modern styes of both the East and the West, as well as fantasy and science fiction styles. Each style is presented in both its realistic and cinematic forms. From the French fencing of swashbuckling cinema to Kendo down at the dojo, from Kung Fu at the Shaolin Temple to Savate on the piers of Marseilles.

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Product details

Series: GURPS: Generic Universal Role Playing System

Paperback: 160 pages

Publisher: Steve Jackson Games; 2 edition (February 1, 1996)

Language: English

ISBN-10: 1556343140

ISBN-13: 978-1556343148

Product Dimensions:

8.4 x 0.4 x 11.1 inches

Shipping Weight: 1.1 pounds

Average Customer Review:

2.8 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#2,595,466 in Books (See Top 100 in Books)

A poor GURPS book, one that has overwhelming biases and an uncomfortable obsession with anything "ninja". Most of the martial forms described are done so in a somewhat bland slapdash manner. In my opinion how the authors described their thinking, in their methodology, to frame a particular art for GURPS was very poor, and how other martial systems might be constructed or implemented--or even why you would want to--is nearly absent.The overwhelming tone of the book is "kung fu action theater", with brief and rather forced nods towards other settings. If you want to do games with an "Asian" theme, ie. China, Japan, or perhaps Korea, this is fine, although it would make far more sense to get GURPS China and/or Japan. Martial arts from the rest of the world, and their place and evolution in societies other than China and Japan are mentioned only in passing; more space is devoted to describing how to be a ninja and ninja toys and ninjas in generic fantasy land and ninjas in space and cyberpunk ninjas, than discussing martial forms that exist(ed) on the rest of the planet.For a GURPS product, this book is almost unusably Generic and hardly Universal, doesn't contribute much to non-ninja Roleplaying, or the the System as a whole. This book is superfluous. Get a copy of Compendium I (which you really ought to have anyway) as that has all the useful bits from this book without the badly aged selection biases of the authors, and is far more useful and coherent in any event.

This is an excellent reference for use with GURPS, covering various martial arts styles and maneuvers in somewhat more detail than the basic rules. If you are running a martial artist or special ops character, a book like this is invaluable! The next edition of it is arguably better -- it covers more martial arts styles, such as Brazilian Jujutsu and English Quarterstaff -- but is very pricey when available on Amazon. The later edition is apparently for 4th Edition GURPS, while this one is for 3rd. This one does contain data on some obscure historical styles, and what the famed "Black Belt" truly signifies for a martial artist (as well as what skill levels a character would need to earn such).

Here's what's missing;Pankration, Ancient Greek Martial ArtKrav Maga, Israeli (Russian derived) Martial ArtFiore Classic medieval (high middle ages) Martial Art training in the art of the classic two handed swordGrecco Roman wrestling (alluded to, but not delineated)Grecco Roman short sword Martial ArtAnd a few others I cannot remember at the moment. And yet there's rules for European fencing, but no rules for Native American fighting. Rules for a plethora of Asian Based martial arts, but no mention of India's derivative martial art.The book, for a the tome that it is, just isn't that thorough enough for what you might expect from a book that promises to give rules for gaming pleasure.Having said all that, it is interesting, and even posits some theoretical martial arts by alien or fantasy creatures found in classic sci fi and classic fairy tales.I've gamed a lot, but I've never done GURPS in all the 30 years it's been around. But I find the GURPS books to be absolutely fantastic and well researched resources for a variety of topics, including the Martial Arts.Giving a two-star rating to this book may seem harsh, but when this book was published there was more knowledge of various forms of martial arts, though to be honest the current research into Fiore and classic medieval swordsmanship was in its infancy at the time, and still continues to this day (yes, I took several classes in it, and no, I am by no means proficient in the use of the classic sword used by knights of old).The other drawback of this book is more specific to one particular "art", and that is so-called "ninjitsu". Ninjitsu is actually more or less the art of concealment, deception and escape. It was a military infiltration technique used in medieval Japan, and not really a "self defense" style as such. Ninjas, historically, were mountain men who lived outside the rule of lords, and offered assassination services to lords for money. They used cheap straight swords made of inferior metal than that of the Samurai sword. And yet all that history is no where mentioned in this book. They were essentially paid hitmen who hid and stole away after their job was done.There are similar omissions throughout this volume that leads one to believe that the research that went into it was probably the best at the time, but still not thorough enough for the book to be considered a complete reference.Not a bad book as such for gaming, but I would look to later publications or other sources to complete your knowledge of martial arts for Role Playing

GURPS Martial Arts is a book with lots of different martial arts styles for your characters. It also includes maneuvers, which are like skill subsets. I really like how this book lets you build your own martial arts styles. Martial Arts also includes tables for all the weaponry, such as Sai (for anyone who's ever watched Teenage Mutant Ninja Turtles, Raf uses a pair of these).A lot of the illustrations are gory, reminding you that GURPS was never meant for kids (Steve Jackson Games should make that clearer, I think). BUT, aside from the "Silly Combat Rule" Bulletproof Nudety, there's no adult content! And while there's gore in some of the pictures, everyone's fully clothed. That's really, really nice.

This is a highly useful book. The information in it can be applied to almost any genre or campaign. The listing of martial arts is comprehensive and there are rules to design your own new ones. I use this book more often than almost any other gurps book that I own. The only downside is the increase in complexity for combat. Extra realism brings extra complexity as usual. Note: you must have the gurps basic set to use this book.

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Rabu, 24 Maret 2010

Ebook Flying without Fear: Effective Strategies to Get You Where You Need to Go, by Duane Brown

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Flying without Fear: Effective Strategies to Get You Where You Need to Go, by Duane Brown


Flying without Fear: Effective Strategies to Get You Where You Need to Go, by Duane Brown


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Review

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From the Publisher

This second edition of Flying Without Fear, written by a former lead trainer for American Airlines' AAir Born program, helps anxious flyers understand the reasons and physiology of their fears and teaches them how to cope with their anxieties, both before flights and while in the air.

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Product details

Paperback: 184 pages

Publisher: New Harbinger Publications; Second edition (October 1, 2009)

Language: English

ISBN-10: 1572247045

ISBN-13: 978-1572247048

Product Dimensions:

6 x 0.5 x 9 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

40 customer reviews

Amazon Best Sellers Rank:

#392,470 in Books (See Top 100 in Books)

This book really helped me. I had not flown for over 8 years, and I have no idea what happened in my life to make me so afraid. 2 months ago my boss told me I had to fly! I cried, I cried and I cried. In reality, I have a high profile job so I knew I had to go. 4 flights in 1 day. Mechanical issues, delays, running through the airports, weather so bad lightening was streaming through the cabin! Did anyone see the lightening bolt that hit the Delta flight in ATLANTA? Well I was landing there at the same time!. But guess what, I got through it. And I did it by using techniques in this book! They greatly helped me. I even kept throwing out stats to my coworkers when certain things would happen. Knowing the mechanical and pilot side that I learned from this book, and breathing and calming techniques, I have to say this book was worth every cent! Thank you! My mother thanks you as I think I can fly across country to see her now!

I bought this book in preparation for a flight (obviously) but found that it's for so much more than that. It has excellent tips for everyday anxiety. I have had anxiety issues ever since I can remember and have found that knowledge in whatever I'm anxious about helps me to be a little more reasonable and calm. This book has great information about flying and planes (without being boring) that helps the person who freaks out over every little noise the plane makes (like I used to be). It has tips for whatever kind of anxiety/fears you have and for whatever your body does in reaction to those fears. From racing heart to the feeling of not being able to breathe - just overall great tips. I VERY highly recommend this book to anyone that either has a fear of flying or anxiety in general!!

I bought this book because in the past 5 or 6 years I have developed a fear of flying that I had not had previously. I have a job that requires me to fly around the country 6 to 8 times a year, and on occasion, overseas. For some strange reason in recent times, the idea of flying causes me anxiety even weeks out. The time prior to flying is a worried filled period that has negative effects on my work and my relationships. My family has made comments about how I begin to wear my "Flying Face" prior to trips and it makes me edgy. I bought this book in the hopes of trying to regain some semblance of control and attempt to face my fears with a greater degree of confidence.After reading this material - I cannot say that flying still does not bother me. I can say that some of the strategies did help me to be more comfortable. Although much of the information is not really new or is already available to people who, like myself, are afraid of flying; I can say that if you work your preparation and relaxation strategies that this book presents - I think who will find you approach flying in a better frame of mind.If people who are afraid of flying were to ask me if I would recommend this book, then my answer would be "Yes". If people were to ask me about a program to help them deal with fear of flying - I would say this book is only the doorway and would recommend an extensive program, Like SOAR, which I would say had the best results I have found for myself so far.

I have a fear of flying - especially take off and turbulence. I always pop a pill plus some alcohol in order to calm myself down but I started reading this book 2 weeks before my 20 hour flight to LA (plus another 5 hours to Cleveland) from Sydney and I kept reminding myself what I learnt from the book and I was calm during the entire flight. It worked for me and I hope if you're planning on purchasing this book, good luck and I hope it works for you too!

I used this book, along with a CD purchased at Amazon, to get me back in the air after 2 1/2 years without flying. Despite a phobia of flying I decided to book a flight that was 1 1/2hrs gate to gate to work on getting over it. Driving from MN to FL and NY was getting old and family members, despite trying to be understanding, didn't get it....and frankly, I didn't understand it either, but knew it was very, very real. This book has a no-nonsense approach and despite the fact that this no-nonsense approach can at times be a bit unnerving, it apparently is what I needed. I used this book and heavily relied upon the CD while actually on the flight. Prior to the flight there were lots of tears and definitely a panic attack, but I got on the flight and decided that "whatever will be, will be" and that I needed to give up control. I successfully completed my flight and felt exhausted but very proud for having decided on my own that I was going to do it. The keys for me were deciding when I was going to do my first flight ( not having someone else do this), picking a very short flight, having this book as a good source of information tucked inside my head, and having the CD to listen to while flying. It WAS NOT EASY, but I can safely say that I believe I can do it again and maybe even take a longer flight this next time. All of this despite the fact that the day before I left on the trip the newspaper published a near miss at my airport, upon arrival to the airport the day I left there were 5 police cars surrounding an abandoned, suspicious vehicle at the airport drop off area, and while in the air they suspended drink service due to turbulence. I got back on the plane to go home 4 days later after seeing footage from a plane whose landing gear failed to come down on Good Morning America....yup. Almost hysterical in hindsight since any ONE of those things would've brought on a panic attack ON THE GROUND with just the THOUGHT of having to fly. I'm not going to pretend that I don't still have anxiety while thinking about having to fly, but it doesn't have me grounded anymore. It's a manageable anxiety at this point. Baby steps. I'm not going to Europe....yet. Get the book. It is helpful. Check out the CD's.

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Senin, 22 Maret 2010

Get Free Ebook How to Read a Poem: And Fall in Love with Poetry, by Edward Hirsch

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How to Read a Poem: And Fall in Love with Poetry, by Edward Hirsch

How to Read a Poem: And Fall in Love with Poetry, by Edward Hirsch


How to Read a Poem: And Fall in Love with Poetry, by Edward Hirsch


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How to Read a Poem: And Fall in Love with Poetry, by Edward Hirsch

Review

"A lovely book, full of joy and wisdom."-The Baltimore Sun "Hirsch's contribution is significant, [grounded] in the obvious pleasure he has experienced through words. . . . Who could resist the wiles of this poetry-broker-a writer rapidly becoming the baby boomers' preeminent man of letters?"-Detroit Free Press "Laudable . . . The answer Hirsch gives to the question of how to read a poem is: Ecstatically."-The Boston Book Review

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About the Author

EDWARD HIRSCH is a celebrated poet and peerless advocate for poetry. A MacArthur fellow, he has published nine books of poems and five books of prose. He has received numerous awards and fellowships, including a National Endowment for the Arts Fellowship, the Rome Prize, a Pablo Neruda Presidential Medal of Honor, and the American Academy of Arts and Letters Award for Literature. He serves as president of the John Simon Guggenheim Memorial Foundation and lives in Brooklyn.

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Product details

Series: Harvest Book

Paperback: 354 pages

Publisher: Harvest Books; First edition (March 7, 2000)

Language: English

ISBN-10: 0156005662

ISBN-13: 978-0156005661

Product Dimensions:

6 x 0.9 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

90 customer reviews

Amazon Best Sellers Rank:

#317,186 in Books (See Top 100 in Books)

If one were to judge solely by the mundane title, one might expect this to be a different book—i.e. more along the lines of “Poetry for Dummies.” That’s not what Hirsch is offering with his book. There’s plenty of opportunity to learn to differentiate pentameter from tetrameter or a lyric from an epic poem, but the book isn’t arranged according to such fundamentals. It might even take one a few pages (or chapters) to realize there is an organizing structure. But you’ll get there because of the author’s contagious passion for poetry and his presentation, and an analysis, of many beautiful poems by masters such as Keats, Yeats, Whitman, Dickinson, Frost, Neruda, and many others--more ancient or modern and equally or less well known. In the end, you’ll think of poetry in a new light.The book is arranged into 12 chapters, each of which looks at poetry from a different dimension. Chapter 1 considers the poem in two ways. First, it emphasizes the importance of the reader, i.e. the poem is presented as an interaction rather than an act of transmission. Second, the author considers how various poets have defined poetry, and what we can learn from said definitions—besides that poetry is defiant in the face of definition. (Like a wet bar of soap, the tighter one tries to grasp it, the less one succeeds.) Chapter 2 continues to investigate the nature of a poem using the framework of the word’s etymology, coming from the ancient Greek word meaning “to make”--thus the chapter title: “A Made Thing.”Chapter three delves into the making of connections (or lack thereof) as a theme in poetry. As with most of the book’s chapters, it’s built around a small number of poems that elucidate the author’s point. In this case, poems by Keats, James Wright, and Baudelaire are used to describe cases in which a human connection is sought, in which it momentarily exists, and in which it is shunned. As is true of other chapters, this doesn’t mean that these three poems are all that are mentioned. It’s just that they are given in-depth analysis, while other poems and fragments are referenced to help illustrate points.Chapter four is entitled “Three Initiations” and it introduces three types of poetry through quintessential examples. The three types of poems are: 1.) poetry of trance; 2.) poetry of praise; and 3.) poetry of grief. The latter two may be more easily grasped than the first, which are poems that convey an altered state of consciousness.Chapter five examines the subject of authenticity and vividness in poetry and how poets convey such genuineness—even by way of surrealism. The classic example is Shakespeare’s sonnets that mock Petrarchan sonnets in suggesting a less hyperbolic form of love letter (i.e. Sonnet 130, “My mistress’ eyes are nothing like the sun”)Chapter six is entitled, “5 Acts,” and, as such, it covers five different subjects through the motif of a play. This first act is about opening poems or introductory soliloquys. The second act is about drama and its role in verse, and is heavily influence by a quote from Robert Frost (i.e. “Everything written is as good as it is dramatic.”) Act three is about what might be called “character” in the scheme of a play, but is really about the personhood of a poem. Act four delves into the topic of dialogue as a poetic tool. The last act is about concluding poems / death poems—as exemplified by Bashō’s deathbed poem and the postcard poems written by Miklós Radnóti on a Holocaust death march.Chapter seven considers desolation as a theme in poetry. The next chapter places poetry in the context of history, using Polish poetry of war and Holocaust to convey the emotion and numbness of tragic events. Chapter nine proposes a nexus between art and justice, and looks at how this is displayed through jeremiads and political poems. The two core examples of this chapter are a work song by Sterling Brown and an ode by Pablo Neruda.Along with chapter four’s “poetry of trance,” I found chapter ten’s discussion of poems that transport the reader to a moment of epiphany--or ecstatic / transcendental experience--to be particularly fascinating. There are a couple modern pieces that Hirsch presents herein, but some work by Dickinson introduces the topic and truly shows how it’s done. Chapter eleven presents the soul as a poetic theme. The poem gives substance to that which is inherently insubstantial, but which is somehow essential and beyond refute. Walt Whitman’s references to the soul offer particularly vivid insight on this question.The last chapter is a brief echo of the first, reiterating the role of the reader and the need for poetic definitions for poetry because any definition that tries to capture the medium in precise prose loses it as it’s reinvented countless times over. If one prefers a simple and direct definition of poetry—e.g. writing that displays meter and rhyme--this is may not be your go-to book. (You might prefer a book such as Fry’s “The Ode Less Traveled” that is more dogmatic about prosody as the sine qua non of poetry.)As for ancillary material, there is a huge glossary. It’s huge not by virtue of containing a vast number of words, but rather because it goes into considerable detail on most of the entries. There is also an extensive and thoroughly organized “recommended reading” section. The book also offers discussion questions for those who want to review or used the book for a book club or whatnot. There’s not much by way of graphics, except for one or two displays of visually-oriented forms of poetry, but there’s no need of more than that.I found this book to be insightful and I welcomed the unique way in which the author divvied up and evaluated the topic of poetry. If you enjoy poetry, or if you write it, there is much to be garnered from reading this book.

The book is wonderful, for both newcomers to poetry and seasoned readers. Unfortunately this Kindle version is filled with typos. Often the typos appear in the lines of quoted poetry themselves, which is really unforgivable. Someone, for example, seems to have done a search and replace for the word “die,” so that “the” appears instead of “die” in multiple lines of poetry. Someone should be checking the digital texts you’re using Amazon, because a scholar like Hirsch deserves better, the poets he’s quoting deserve better, and so do the readers.

He does a super job of explaining how and why he reads poems. Strangely he likes some very little known works, but he is quite good at exploring their beauty. I found this book hard to put down, and read most of it in just one or two days. I love the concept he uses of comparing reading a poem to finding a message in a bottle, since most poems we read are chance occurrences where a person meets the mind and the heart of a poet in some random opportunity, but finds infinite delight in the discovery. Nobody can properly define a poem, but this gentleman takes you a long way toward understanding and appreciating a good poem.

It has been a long while since I've been unable - not simply unwilling - to finish a book I started. In this case, however, I struggled with Hirsch's overwrought prose at every turn. As a newcomer to poetry (but no stranger to academic writing) I was expecting much more of a primer and a basic guide; instead I was faced with allusions to works I haven't yet encountered, an appalling lack of coherent organizing structure, and overlong, lofty descriptions of poetry without the benefit of context.Had I known its contents I would never have purchased this book. Here's hoping that Poetry for Dummies is both more informative and less insufferable.

Edward Hirsch's prose reads like poetry, and no wonder as he, himself, is an accomplished poet. I ordered this book after reading Pearl London's interview of Hirsch in her poetry class, recounted in her POETRY IN PERSON. My intention was and continues to be a guide in developing my own voice and form through study of his scholarly analyses of a wide range of poets, stretching my mind to embrace poets I never knew about from Anna Ahkmatova to Alice Walker (novelist who writes poetry, too), sending me searching library shelves and the internet to find them. Moreover, he has given me courage--inadvertently, perhaps--to exercise new techniques. Always, it seemed, he returns to my own favorite muse, Elizabeth Bishop. In short, Hirsch lies open on my desk more often than stands on a book shelf.

This is a book that you read with a notepad and pen in hand. There was just too much that I wanted to take notes on. I may never go back and read them, but I think writing them down stuffed them into some dark crevice in my mind that I will refer to later. Anyone who likes the printed word should read this book.

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Kamis, 18 Maret 2010

Free PDF Who Is the Dalai Lama? (Who Was?)

Free PDF Who Is the Dalai Lama? (Who Was?)

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Who Is the Dalai Lama? (Who Was?)


Who Is the Dalai Lama? (Who Was?)


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Who Is the Dalai Lama? (Who Was?)

About the Author

Dana Meachen Rau has written more than 300 books for children, including picture books, early readers, nonfiction, and biographies.

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Excerpt. © Reprinted by permission. All rights reserved.

Who Is the Dalai Lama?   February 22, 1940, was a busy day at the Potala, a grand, thousand-room palace high in the mountains of Tibet. Early in the morning, guests started to fill the main assembly hall. They were waiting for their leader to arrive.   Once the hall was full, the crowd grew quiet. A little boy, dressed in golden robes, entered. Horn and trumpet blasts greeted him. He crossed the room on a white carpet that had been rolled out especially for him to a jeweled throne. It was called the Lion Throne because of the eight lions carved into the wooden base of the tall, cushioned chair. The throne was the seat of the Dalai Lama (say: DAHL-eye LAH-muh), a name given to the political and religious leader of the country of Tibet.   The young Dalai Lama needed some help climbing up the steps to his throne. He sat cross-legged on the seat and watched the ceremonies, dances, and readings. Many gifts were set out for the boy—a music box, the tusk of an elephant, expensive fabrics, parakeets, a tricycle, and even a brick of gold! Holy men, government officials, and the others in attendance, in a sign of respect, bowed so low before him that they were lying on the floor. “I found that funny,” he later said. The Dalai Lama is known for his sense of humor. But it was especially funny to him that the adults were acting this way. After all, he was only four years old!   As he grew, that young boy on the Lion Throne began to understand why that day was so special. As Tibet’s Fourteenth Dalai Lama, he would face joyful times and difficult times. He would grow in wisdom. And he would become caring and strong.   But on his enthronement day, he had no idea what lay ahead for himself and for the people of Tibet. Along with the many gifts the little boy received, he also held an adventurous future in his hands.     Chapter 1: Little Lhamo     Diki Tsering woke very early on July 6, 1935. She went out behind her mud-and-stone house in Taktser, Tibet, to the barn. There, among the animals, she gave birth to her son Lhamo (say: LAM-oh). He didn’t cry. His eyes were open wide. Lhamo’s mother, Diki, and father, Choekyong Tsering, already had four children—their daughter, Dolma, and three sons named Norbu, Gyalo, and Lobsang. There wasn’t much furniture in their six-room house. The children didn’t have their own beds. The family mostly gathered in the kitchen, especially during cold Tibetan winters, to keep warm by the fire. They practiced Tibetan Buddhism, a religion that was very important to them and to all Tibetans. So their house also had a prayer room, where the family left offerings of food and flowers at a small altar.   Taktser, a small village in the northeastern province of Amdo, was on a hill with a view of a wide valley. The land and the weather weren’t good for farming, but families, including Lhamo’s, still tried their best to grow crops.   His family grew barley, buckwheat, and potatoes. Before Lhamo was born, the village suffered from a long drought. No rain had fallen in years, and hail had destroyed the plants in the fields. Many villagers were starving.   Once Lhamo could walk, he followed his mother around the farm as she did her chores. He held the bowl as she milked the dzomos (say: ZHO-mohs)—animals that are a cross between yaks and cows. Little Lhamo was playful. When his mother carried him on her shoulders, he pulled at her ears to show her which way to go. When she sent him to gather eggs from the chickens, she discovered him clucking and sitting with the hens in their nests.   The Tsering family farm also had yaks, sheep, goats, and horses. Lhamo’s father especially loved the horses. But he was often angry and harsh with his children. Lhamo’s mother, on the other hand, was gentle and kind. Lhamo later said, “My first teacher of compassion was my mother.” Compassion means wanting to help someone who is suffering, hurt, or in trouble. Lhamo saw compassion in the way his mother treated him and the way she shared what she could with the needy people in their village.   One of Lhamo’s favorite games was to pack up his clothes and pretend to go on trips. He straddled the windowsill, pretending to ride a horse. His mother asked him where he was going. He said he was headed to Lhasa, the capital city of Tibet.   Lhamo didn’t know that more than a thousand miles away, in Lhasa, something important was happening. In December 1933, the Thirteenth Dalai Lama had died. So Tibet had been without a leader for two years. Government officials and religious leaders had started the search to find the next Dalai Lama.

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Product details

Age Range: 8 - 12 years

Grade Level: 3 - 7

Lexile Measure: 900L (What's this?)

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Series: Who Was?

Paperback: 112 pages

Publisher: Penguin Workshop; Dgs edition (April 3, 2018)

Language: English

ISBN-10: 1101995548

ISBN-13: 978-1101995549

Product Dimensions:

5.3 x 0.3 x 7.6 inches

Shipping Weight: 4.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#68,206 in Books (See Top 100 in Books)

great for my classroom.

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